Windmill Hill (No. 2)

This and Windmill Hill No. 1 were both made on the same day. Haden was concise, but complimentary about this work simply stating ‘I like this plate’. Quote taken from Haden’s own handwritten annotations of Sir William Drake’s A Descriptive Catalogue of the Etched Work of Francis Seymour Haden. As cited in Richard S. Schneiderman, A Catalogue Raisonné of the prints of Sir Francis Seymour Haden. London, Robin Garton Ltd., 1983, p.2305.

1. Sir William Drake, A Descriptive Catalogue of the Etched Work of Francis Seymour Haden. London, Macmillan and Co., 1880. (147)
2. H. Nazeby Harrington, The Engraved Work of Sir Francis Seymour Haden, P.R.E. Liverpool, Henry Young & Sons, 1910 (164)
3. Richard S. Schneiderman, A Catalogue Raisonné of the prints of Sir Francis Seymour Haden. London, Robin Garton Ltd., 1983 (153)

1. Collection of Alexis Pencovic, San Francisco, California, USA (printed by Goulding)
2. British Museum, Department of Prints and Drawings, London, England, UK
3. Collection of Constance F. Harris, California, USA
4. Cornell University, Herbert F. Johnson Museum of Art, Ithaca, New York, USA
5. Hunterian Museum and Art Gallery, University of Glasgow, Glasgow, UK
6. William Rockhill Nelson Gallery of Art, Kansas City, Missouri, USA

See Schneiderman for locations of other states.

1. Rodney K. Engen, Dictionary of Victorian Engravers, Print Publishers and Their Works. Cambridge , Chadwyck-Heley, 1979
2. Garton and Co., British Printmakers 1855-1955. Wiltshire, Garton and Co., 1992
3. Kenneth M. Guichard, British Etchers 1850-1940. London, Robin Garton Ltd., 1977
4. Ian Mackenzie, British Prints: Dictionary and Price Guide. Woodbridge, Antique Collectors’ Club, 1998