The Large Pool

Dundee Art Galleries & Museum: 272-1987-318

Artist: Whistler, James Abbott McNeill

Date: 1878/79

State: 6/8

Size: 19.1 x 27.6 cm

Medium: Etching and Drypoint

Alternative title(s) Wapping – The Pool
Details Etching and drypoint. Black ink on cream laid paper. Butterfly ‘imp’ visible bottom right of paper. Fourteen impressions are known.
Description Detailed information concerning the Whistler prints held in The Orchar Collection comes from the University of Glasgow’s excellent Whistler Etchings Project. (Margaret F. MacDonald, Grischka Petri, Meg Hausberg, and Joanna Meacock, James McNeill Whistler: The Etchings, a catalogue raisonné, University of Glasgow, 2012, on-line website at http://etchings.arts.gla.ac.uk). Considerable thanks are due to Professor MacDonald for allowing us to use their research in these entries.

Whistler would return to the same area for the Tiny Pool and The Pool an impression of which is also in The Orchar Collection.

Catalogue Entry
  1. Edward G. Kennedy, The Etched Work of Whistler. New York, Grolier Club, 1910 (174)
  2. Howard Mansfield, A Descriptive Catalogue of the Etchings and Dry-Points of James Abbott McNeill Whistler. Chicago, Caxton Club, 1909 (171)
  3. Sir Frederick Wedmore, Whistler’s Etchings: a Study and a Catalogue. London, Thibaudeau, 1886 (143)
  4. Whistler Etchings Project (180)
Other Collections (UK) No impressions are known to exist in UK collections.
See the Whistler Etchings Project for a list of impressions.
References
  1. Emmanuel Bénézit, Dictionary of Artists. Paris, Gründ, 2006
  2. Rodney K. Engen, Dictionary of Victorian Engravers, Print Publishers and Their Works. Cambridge, Chadwyck-Heley, 1979
  3. Kenneth M. Guichard, British Etchers 1850-1940. London, Robin Garton Ltd., 1977
  4. Katharine A. Lochnan, The Etchings of James McNeill Whistler. New Haven and London, Yale University Press, 1984
  5. Margaret F. MacDonald, James McNeill Whistler. Drawings, Pastels and Watercolours. A Catalogue Raisonné. New Haven and London, Yale University Press, 1995
  6. William Rough, ‘A cluster of butterflies: James Guthrie Orchar and his collection of Whistler etchings and drypoints’, Journal of the Scottish Society for Art History, Volume 16, 2011-12