Fountain Court, Temple

Dundee Art Galleries & Museum: 272-1987-20

Artist: Brunet-Debaines, Alfred-Louis

Date: 1877

State: 1/1

Size: 22.2 x 17.2 cm

Medium: Etching

Details Etching. Brown ink on wove paper. The New York Times, 30th July 1877 carried an advert for a series of works by Brunet-Debaines; ‘M. Brunet Debaines has undertaken a collection of Etchings of London which will be issued only to subscribers. The first series will include the Interior of the Temple Church, Fountain Court, Temple [although identified as separate prints Fountain Court and Temple are likely to be the single print Fountain Court, Temple], Temple Bar, Lincoln’s Inn Fields, St. Pauls from the River and Corn-Barges on the Thames and its completion will depend upon the number of subscriptions. Messrs. Seeley & Co., No. 54 Fleet-street, London, have consented to receive subscriptions, and the first series of six etchings will be sold for 2 guineas. Artist’s proofs to the number of 100 will be issued on Japanese paper.’ Orchar owned a complete set of Etchings of London therefore it seems likely he was one of the subscribers and purchased them during 1877. Brunet-Debaines also exhibited four prints at the 1882 Dundee Fine Art Exhibition (Danse de Nymphes d’apres: after Corot; Artist’s Proof on Japanese paper (No. 855, £8.8), The Corn Field: after Constable; Artist’s Proof on Japanese paper (No. 856, £9.9), The Burial of Wilkie: after Turner; Exhibited by the Fine Art Society (No. 861, £6.6) and Evening in Arcadia: after Corot; Exhibited by the Fine Art Society (No.1709, £10.10). He also exhibited three washed drawings (The Staircase, Christ College, Cambridge; Fountain Court, Temple, London and Interior of Temple Church, London at the same exhibition (No. 994, £8.8)
Description Fountain Court was a popular leisure spot, close to the banks of the Thames, in central London, especially during the summer and Brunet-Debaines captures this sense of a little piece of the countryside in the middle of an urban area well. The fountain itself can be seen in the centre of the foreground.
References
  1. Emmanuel Bénézit, Dictionary of Artists. Paris, Gründ, 2006
  2. Rodney K. Engen, Dictionary of Victorian Engravers, Print Publishers and Their Works. Cambridge, Chadwyck-Heley, 1979
  3. Algernon Graves, The Royal Academy of Arts: a complete dictionary of contributors and their work from its foundation in 1769 to 1904. Wakefield, S.R. Publishers, Ltd., Bath, Kingsmead Reprints, 1970
  4. Ian Mackenzie, British Prints: Dictionary and Price Guide. Woodbridge, Antique Collectors’ Club, 1998

 

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